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Hi. Long time no talk.

Life has been...weird, for all the reasons it's been weird for everyone else.

But I'm not going to get into that right now. Hurricane Isaias is knocking on the door, so instead of dwelling on any any real life stress or anxiety, I'm going to talk about the thing that I've been hyperfocused on since COVID-19 hit in March: Star Wars...or, more specifically, Star Wars Rebels and why you should watch it.

"Hey Quipxotic," you say in this conversation I'm imagining, "isn't that show aimed at kids?" Well yes, sometimes it is, imaginary person, but it also has plenty of storylines adults will appreciate. Plus, it has the best found family in Star Wars, my favorite Jedi of all time, some gorgeous scenery, and (something that is lacking from lots of other Star Wars properties) actual character development.

But I'm getting ahead of myself.

First off, did you like The Mandalorian? Most likely the answer is 'yes' because, while there are people who dislike that show, they are few and far between. (Although, if you haven't seen the first season yet, you should probably stop reading this post as there will be SPOILERS below.) What does The Mandalorian have to do with Rebels? Plenty. The two main forces (see what I did there?) behind The Mandalorian are Jon Favreau and Dave Filoni, both of whom serve as executive producers, writers, directors, and seemingly half a dozen other roles within the series production. Favreau is the more famous of the two, but it's Filoni who is the most interesting for my purposes because he was supervising director, writer, etc., for the 2008 animated series The Clone Wars and the creator, executive producer, etc., for Star Wars Rebels.

And here's the thing about Filoni: although he's knowledgeable about all aspects of Star Wars, there are certain elements he really loves and he finds new and creative ways to use them in everything he does. The black lightsaber (aka the Darksaber) at the end of season 1 of The Mandalorian had its origins in The Clone Wars and then appeared again in Rebels. Mandalorians predate all three series, but their history and politics feature pretty heavily in both The Clone Wars and Rebels. Jedi are in both as well, obviously, but Filoni does more than just make stories about cool space wizards; he explores what the Force actually is, what the Jedi believe and how that's sometimes really fucked up, and he makes it clear that the Jedi aren't the only Force-wielders in the galaxy, in fact they're not even the oldest.

Do you need to know all this backstory to enjoy The Mandalorian? No, thankfully not, but it does give the series added depth if you know where things come from. Plus, it sounds like a few characters from Rebels are going to be showing up in season 2, along with no doubt a few more of Filoni's favorites narrative toys. All of which are great reasons to watch Rebels before the new season.


Want some other reasons? Okay...


  • A lot of the art and character design is based on concept art created by Ralph McQuarrie for the original trilogy. That's cool for sheer geekiness, but it's also gorgeous art.*

  • The music by Kevin Kiner, who also scored The Clone Wars, is some of the best music in the franchise not penned by the legend that is John Williams.

  • This is not an imagined found family. You don't have to force it (I know, I know) or squint to make the stories fit that trope. It's something that is referenced frequently by the characters in the show itself. If, like me, found families (and stories about dealing with difficult families) are your catnip, you'll love it in this show.

  • Hera Syndulla is a better pilot than Han Solo and The Ghost is a better ship than The Millennium Falcon. (It's true, don't @ me.)

  • Kanan Jarrus, while not the most powerful Jedi, is perhaps one of the best, most interesting Jedi ever created. He starts out the series very much in the gunslinger mold, but as the series goes on he gets a lot of added depth. He's flawed, he struggles with self-doubt and guilt, but he's fundamentally a good, caring guy who finds a way to defy expectations (ours, his own, the Jedi Order's, the Empire's, everyone's). The comic series Kanan: The Last Padawan, which deals with his experiences during the Clone Wars, is really good too, and the book A New Dawn which features both him and Hera is a lot of fun. And the voice acting for him by Freddie Prinze, Jr., is just *chef's kiss*.

  • All the voice acting in this show is fantastic.

  • Chopper is the third best droid in Star Wars, after K-2SO and R2-D2.

  • The Inquisitors are a fascinating concept and make for excellent villains, particularly the Grand Inquisitor who features heavily in season 1.

  • Unlike The Clone Wars, which is the more acclaimed show of the two, Rebels is linear, not jumping around to different parts of the timeline from one episode/story arc to the next. It features characters who, for the most part, don't feature in later media, meaning that anything can happen to them and they actually have space to grow and change as characters. And the quality is more consistent. I mean, I love a lot of The Clone Wars episodes and if you were to say that the best Star Wars content ever is in that series, I wouldn't disagree with you; but there's some real stinkers in there too. While I love some Rebels episodes more than others, there's only one episode in four seasons that I'd call bad.



Those are only some highlights, because I could go on and on about why I love this series. I won't because if you also follow me on Tumblr, you've already been subjected to months of Rebels GIFs and are probably sick of this topic already. If that describes you, thank you for putting up with my current obsession. I'm sure I'll move on to something else...eventually.

[* - The art in Rebels is something of a divisive topic among Star Wars fans. People tend to either love it or hate it. Personally, I love it, but if you don't there are plenty of folks who will agree with you, so your mileage on this point may vary.]

[Oh, PS - want to hear the song I reference in the "music" field below? You can do that here and you really should.]
quipxotic: (Default)
Hi! I'm still alive and kicking and finally getting back to writing, etc., etc.

Over the last two weeks I've been watching reaction videos for The Mandalorian since I don't have and don't plan to get Disney+. The show looks fantastic (other than the nearly complete lack of women through 3 episodes) and most of the fans reacting to it have been enthusiastic and fun. But there's a small sub-group of male fans who've said variations on "this is great, it's going to save Star Wars." Which just makes me laugh, because Star Wars doesn't need saving. The Last Jedi grossed $620.2 million just in the U.S. and Canada, then there's the books, the video games, the cartoons...

They seem to think one of the most profitable media franchises in the history of everything is on the verge of collapse without any actual evidence that that's actually true.

Of course, what they really mean is "this will save Star Wars for people like me." Fresh from the trauma of being "forced" to watch two films not focused on their needs, they're finally getting something made for them. First time since...*checks watch*...an hour ago on any streaming platform/cable network/video game/[insert your media of choice here]. Well, I'm glad their long, dark nightmare of the soul is over. I just hope they know how silly they sound when they say this stuff.
quipxotic: (Default)
Is it just me or has this month been particularly full of bad news? Combine that with any personal stress and it's easy to feel overwhelmed.

This weekend I've tried to take a break from all of that, with middlin' success. On the plus side, it's been a pretty good writing weekend:


  • I've updated my long-neglected Rogue One/The Mummy fusion drabble story "The Lost City of Jedha." It was nice to get back into the world of this silly little story.

  • I've added drabbles for the Sixth Doctor story "Memories of a Tyrant." I liked the first half of this audio, but some aspects of the second half made it hard for me to suspend my disbelief, which is why all the drabbles come from the first half.

  • The next chapter of "Hill House Five" is also online. So far in the story there's been a whole bunch of talking without much action; hopefully that will change in the next chapter.

quipxotic: (Default)
I finished Jane Austen at Home last week. It was very good as a straight-forward biography, but I particularly liked Lucy Worsley's focus on the physical evidence left behind by Jane Austen, such as her homes, furniture, small personal items, and (of course) her letters. Where there are gaps in the evidence (thanks in no small part to Jane's sister, Cassandra, burning many of Jane's letters), Worsley turns to materials (books, letters, etc.) written by Austen's contemporaries to take a look at what life was like for women, particularly unmarried women, of that time period. She also looks at other Jane Austen biographies, particularly those written by the Victorian members of the Austen family as they tried to shape their aunt's reputation so that it fit the ideals of their own time. Anyway, it's a wonderful book and I highly recommend it to any of my fellow Janeites, as Worsley puts it.

I went home to visit mom this weekend, which is always stressful and tiring, so I skipped listening to the more serious Circe and instead listened to the new Star Wars book Master & Apprentice by Claudia Gray. Long story short: I devoured the whole 11-hour audiobook in about three days, so I definitely liked it. Although Qui-Gon Jinn and Obi-Wan Kenobi are the Master/Apprentice at the center of the story, almost as important are Qui-Gon's relationships with his own teacher, Count Dooku, and with Dooku's previous padawan, Rael Averross. Gray also lays some ground work for Obi-Wan's relationship with his future apprentice, Anakin Skywalker/Darth Vader, and Luke Skywalker's with Ben Solo/Kylo Ren. It's a multi-generational story that plays with similar themes as the now (sadly) no longer canon Jedi Apprentice book series: how different Qui-Gon and Obi-Wan are; how their views of life, the Force, the Jedi, and everything clash without either of them being completely in the wrong; how bad they both are at communicating with each other; and, most importantly, how much they care about each other despite all that.

I said it was lighter than Circe and, while that's true, Master & Apprentice deals with a lot of serious (or as serious as Star Wars gets) topics. Is the Republic corrupt or a force for good in the Galaxy? Why do the Senate and the Jedi Council allow slavery to continue in the universe? Are ancient Jedi prophecies true glimpses into the future or are they traps leading to the Dark Side? What is the duty of a Jedi: to follow his conscious or to follow his mandate? (And if I have one complaint about this book it's that it is almost always his - other than being fridged, female Jedi hardly figure in it). Anyway, it's an interesting story with several twists that I didn't predict. If audiobooks are your thing, this one is read by Jonathan Davis, the same voice artist who read the outstanding Rogue One novelization, and he does just as good a job with this book as with that one.

I've also watched the TV series of Good Omens but I'll refrain from writing about it now in case any of you are trying to avoid spoilers.

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